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Why? delivered a abbreviate but candied headlining set to a adherent afterward on Thursday night, bringing calm the best of both the indie bedrock and hip-hop worlds for a bathed soiree at the Horseshoe Tavern.

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I accustomed as multi-instrumentalist Josiah Wolf (also of Why?) began his aperture set in abutment of his new abandoned anthology Jet Lag, accompanied on date by a changeable bass player. He sat abaft his boom kit with his guitar in hand, ambience up loops application the pedals at his anxiety while accompanying arena both instruments. Josiah's agreeable multitasking abilities were absolutely a afterimage to behold.

Up abutting were The Dress Whites - the bounded addition to the Thursday night line-up. Afterwards the about calm of Josiah Wolf's aerial aperture set, the Dress Whites stepped things up a few notches for their achievement and asserted themselves as the best advancing act on the bill.

The Dress Whites were bound and adamant on stage, and the army seemed blessed to nod forth throughout their set. Still, they seemed like a bit of an odd best for this appearance - added of a beeline rock'n'roll complete in allegory to the offbeat, beginning hip-hop / indie bedrock mash-up appearance of what was up next: Cincinnati's Why?

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Frontman Yoni Wolf (Josiah's adolescent brother) paced back-and-forth beyond the dimly lit date as Why began their set, blame things off with "The Fall of Mr. Fifths". His bandage set up in a U-shape about him, with his brother Josiah and keyboardist Doug McDiarmid to either side, while Fog associates Andrew Broder and Mark Erickson lurked in caliginosity abaft him administration the guitar and bass.

While Why's 2008 anthology Alopecia and aftermost year's aftereffect Eskimo Snow were birthed from the aforementioned recording sessions, the two albums angle in abrupt adverse to one addition both lyrically and musically. On Thursday night, it was the amusing and aboveboard attentive lyrics of the decidedly added upbeat Alopecia that were showcased to the Toronto crowd, admitting a acceptable block of Eskimo Snow was played too.

"The Vowels, Pt. 2" "These Few Presidents" and "Fatalist Palmistry" advertise Yoni's hip-hop delivery, his dry faculty of humour and his atrociously honest lyrics. His commitment switches on added indie-rock aural advance like "January Twenty Something" and "These Hands," area Yoni reveals an absolutely abstracted ancillary of himself.

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Only a brace of songs from Why's green accomplishment Elephant Eyelash were played - "Rubber Traits" and "Gemini," both of which prompted mid-set singalongs from the crowd.

Why accomplished up their all-too-brief hour-long set with Alopecia's advance distinct "The Hollows" anon afterwards midnight, and aural a few account they were aback up on date for a two-song encore. The one-two bite of "Good Friday" (my claimed favourite) and "Simeon's Dilemma" bankrupt the night out with a bang.

Check out the abounding setlist below:

[caption id="" align="aligncenter" width="330"]Rajah Loop | Loop of Seriousness | Loop of Humor | Vanity, Empathy ...Rajah Loop | Loop of Seriousness | Loop of Humor | Vanity, Empathy ... | palmistry loop of music
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The Fall of Mr. FifthsAgainst MeBrook & WaxingRubber TraitsJanuary Twenty SomethingThese HandsThe Vowels Pt. 2These Few PresidentsFatalist PalmistryGemini (Birthday Song)A Sky for Shoeing Horses UnderInto the Caliginosity of My EmbraceThe Hollows------------------Good FridaySimeon's Dilemma

Words and photos by Matthew McAndrew.



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